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DEAR DIARY by Libs Elliott for Andover Fabrics. This new group is printed in pigment white on 20 colours from the Andover Century Solids Cottons collection. There are three all-new designs - Big Crush, Party Time and Love, Libs - plus we brought back the classic Pony Boy print from Libs' very first collection. These prints are sure to make for some fun patchwork projects. There are 20 colours available, click on the picture to scroll through. 100% cotton 44" wide
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This print is from the Terra Kotta collection and depicts the beauty of nature’s glowing desert sunsets. This group of soft, minimalist prints, were created to bring the modern quilter in you with golden hues, and buttered neutrals painted with rough edges and expressive brushstrokes. CAP-TK-1500 100% cotton 44-45"
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Dreamscapes digital design by Ira Kennedy for Moda. From the designer: ”I have chosen to paint what can’t be seen. It's not the color I see, it is the color I feel. Not just the shape, but the shapes' meaning. Not the composition but the harmony. The rhythm of dots throughout the painting create an overall visual field which conveys a sense of wholeness, alive with the movement and shimmer of life. My work is to be sensed more than viewed. The paintings are not an object for the eye alone, but an experience for the mind —intimating, not imitating, that which is indescribable.” 51244 14 100% cotton 44-45@ wide
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Dreamscapes digital design by Ira Kennedy for Moda. From the designer: ”I have chosen to paint what can’t be seen. It's not the color I see, it is the color I feel. Not just the shape, but the shapes' meaning. Not the composition but the harmony. The rhythm of dots throughout the painting create an overall visual field which conveys a sense of wholeness, alive with the movement and shimmer of life. My work is to be sensed more than viewed. The paintings are not an object for the eye alone, but an experience for the mind —intimating, not imitating, that which is indescribable.” 51247 11 100% cotton 44-45@ wide
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Dreamscapes digital design by Ira Kennedy for Moda. From the designer: ”I have chosen to paint what can’t be seen. It's not the color I see, it is the color I feel. Not just the shape, but the shapes' meaning. Not the composition but the harmony. The rhythm of dots throughout the painting create an overall visual field which conveys a sense of wholeness, alive with the movement and shimmer of life. My work is to be sensed more than viewed. The paintings are not an object for the eye alone, but an experience for the mind —intimating, not imitating, that which is indescribable.” 51247 12 100% cotton 44-45@ wide
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Dreamscapes digital design by Ira Kennedy for Moda. From the designer: ”I have chosen to paint what can’t be seen. It's not the color I see, it is the color I feel. Not just the shape, but the shapes' meaning. Not the composition but the harmony. The rhythm of dots throughout the painting create an overall visual field which conveys a sense of wholeness, alive with the movement and shimmer of life. My work is to be sensed more than viewed. The paintings are not an object for the eye alone, but an experience for the mind —intimating, not imitating, that which is indescribable.” 51247 13 100% cotton 44-45@ wide
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Dreamscapes digital design by Ira Kennedy for Moda. From the designer: ”I have chosen to paint what can’t be seen. It's not the color I see, it is the color I feel. Not just the shape, but the shapes' meaning. Not the composition but the harmony. The rhythm of dots throughout the painting create an overall visual field which conveys a sense of wholeness, alive with the movement and shimmer of life. My work is to be sensed more than viewed. The paintings are not an object for the eye alone, but an experience for the mind —intimating, not imitating, that which is indescribable.” 51244 15 100% cotton 44-45@ wide
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Dreamscapes digital design by Ira Kennedy for Moda. From the designer: ”I have chosen to paint what can’t be seen. It's not the color I see, it is the color I feel. Not just the shape, but the shapes' meaning. Not the composition but the harmony. The rhythm of dots throughout the painting create an overall visual field which conveys a sense of wholeness, alive with the movement and shimmer of life. My work is to be sensed more than viewed. The paintings are not an object for the eye alone, but an experience for the mind —intimating, not imitating, that which is indescribable.” 51245 12 100% cotton 44-45@ wide